STEIM and Moving Furniture Records team up to present a series of concerts showing off the experimental electronic musicians local and abroad. For this third edition we’re happy to feature Yannis Kyriakides and Zeno van den Broek (Machinist).
In the work of Yannis Kyriakides the relations between words and music is very important, where Zeno van den Broek searches for the spatial relation between the music and the room.
Entry is €7 with all door proceeds going directly to the artists.
DATE: Thursday April 24th, 2014
TIME: 20:30 hrs. (doors open 20:00 hrs.)
LOCATION: STEIM Concert Space, Utrechtsedwarsstraat 134, Amsterdam
Yannis Kyriakides was born in Limassol, Cyprus in 1969 , emigrated to Britain 1975 and has been living in the Netherlands since 1992. He studied music at York University, and later composition with Louis Andriessen and Dick Raaijmakers. He is known as a composer and sound artists seeking to create new forms and hybrids of media, and has focused in the majority of his work on ways of combining traditional performance practices with digital media. Prizes have included the Gaudeamus Prize , a French Qwartz award, Toonzetters ,the Willem Pijper prize and an honorary mention at Prix Ars Electronica. He co-founded and runs a label for electronic music, UNSOUNDS, is a member of electro-acoustic ensemble MAZE and teaches composition at the Royal Conservatoire in The Hague.
Zeno van den Broek
Zeno van den Broek works in a multidisciplinary approach on a synergy of the audial, the visual and the spatial. Originally trained as an architect, his perspective is focused on spatiality in sound and vision, and in manipulating this spatiality in constructed time and space. To do so, he uses different ways of expression: album releases, performances, installations and paintings. Zeno aims to create additional spatial layers in the space in which the work is being heard, seen or performed, thereby creating a spatial consciousness.
He works with sound sources such as sine waves and white noise, creating site-specific patterns of interference and fully utilizing the acoustics of the space. The sound merges with the existing architecture of the venue, creating new fluid spaces in which the position of the auditor alters his/her experience. The live performances of Zeno are a one-off and non-repeatable spatial intervention.